中国科学技术大学学报 ›› 2020, Vol. 50 ›› Issue (5): 688-694.DOI: 10.3969/j.issn.0253-2778.2020.05.017

• 论著 • 上一篇    下一篇

宣纸湿变形与装裱书画品质关系研究

龚德才,周昱君,钟家让,龚钰轩   

  1. 1.中国科学技术大学科技史与科技考古系, 安徽合肥 230026;2.山西博物院, 山西太原 030024
  • 收稿日期:2019-07-27 修回日期:2019-12-23 接受日期:2019-12-23 出版日期:2020-05-31 发布日期:2019-12-23
  • 通讯作者: 龚钰轩
  • 作者简介:龚德才,男,1960年生,博士/教授. 研究方向:文物保护. E-mail:gdclucky@163.com

Study on relation between wet deformation of Xuan paper and quality of mounted calligraphy and paintings

GONG Decai, ZHOU Yujun, ZHONG Jiarang, GONG Yuxuan   

  1. 1.Department for the History of Science and Scientific Archaeology,University of Science and Technology of China, Hefei 230026,China; 2.Shanxi Museum, Taiyuan 030024,China)
  • Received:2019-07-27 Revised:2019-12-23 Accepted:2019-12-23 Online:2020-05-31 Published:2019-12-23

摘要: 装裱书画的大部分病害均与“力”有关,但书画装裱中的力学行为研究是一个空白.宣纸是书画装裱的主要材料,当宣纸含水量发生变化时,其尺寸会发生一定的变化,这种变形会影响装裱效果,变形过大会影响材料的稳定性和装裱的品质.为此使用数字图像相关法(digital image correlation)测量了单层宣纸和双层托裱样品的湿变形,分析了装裱时宣纸的湿处理以及宣纸纤维取向对上墙干燥时书画变形的影响.结果表明:宣纸的拉伸强度和湿变形具有一定的方向性;新宣纸由于内应力的存在,湿处理后横纵向均存在过度收缩;纤维取向是影响托裱样品变形的重要因素.据此提出了相应的工艺改进建议,有利于提升装裱书画类文物保护水平.

关键词: 宣纸, 湿变形, 书画装裱, 数字图像相关法

Abstract: Most of the harm to the paintings and calligraphy is related to "the force". However, few studies have been reported on the research of the mechanical behavior. Xuan paper is a primary material of the mounting of Chinese paintings and calligraphy. Dimensional variation occurs upon changes in its moisture content during the drying process, and serious deformation may affect the stability of the paintings and the effects of the mounting. Digital image correlation was used to measure the wet deformation of single-layer Xuan paper and the sample of a mounted painting on two layers of Xuan paper, with considerations of dimensional changes caused by wetting and the influences on the deformation from Xuan paper's fiber orientation upon drying on the wall. The results show that the mechanical properties and wet deformation were related to the fiber orientation of Xuan paper, and that fiber orientation was the main contributing factor in the influence on deformation in drying. In addition, excessive shrinkage in both vertical and horizontal directions was observed in new Xuan paper due to the existence of internal stress. Suggestions are thus provided on improvement, which will help raise the quality of mounting and restoration of cultural relics such as calligraphy and paintings.

Key words: Xuan paper, wet deformation, mounting techniques, digital image correlation

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